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A simple tip for making more engaging tracks is to add or subtract an element every four to eight bars or so. Here are a few variation approaches to try:
Similar to social media platforms, it’s easy to get fixated on increasing your total number of likes, followers, or views. While it’s always encouraging to see these numbers go up, the truth is that these are just vanity metrics — or, in other words, things you can measure that, while not completely meaningless, don’t matter all that much in the grand scheme of things.
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This is not what happened with my dog. Instead, I actually think it made him more anxious. Now to be fair, part of this could be that I tried this solely as I was going out, and the association became “uh oh, dog music means mom is leaving!” but I think there’s more to it than that.
We all love going to see a concert that features giant stage dressings and full costumes à la Empire of the Sun, The Knife, Erykah Badu, and GWAR, but these are all performers who are trying to make “larger than life” music, and push the limits of the performance experience with mountains of finance behind them. Don’t get discouraged! You can still incorporate some big ideas even if you’re making music with less funding.
And then of course, all the notes that aren’t in the scale would be numbered and identified in relation to their function in a chord, but we won’t go into that right now. This all came about as a result of music psychologist Carol Krumhansl’s experiments on how average listeners judged the placement of a “probe tone” in a short melodic excerpt. These tests would later be known as “the probe tone experiments.”
So, the Institute has collected and kept enormous records of French radio and television broadcast archives since since the 1960s. These archives are available online and are viewed and listened by people of all ages and walks of life every single day. The archives are currently only available online, and the majority of this collection remains unexplored.
If it’s really, really bad, you might have to worry about some of the comped-together vocal notes being out of tune — in which case, don’t be afraid to break out your favorite pitch-correction software like AutoTune or Melodyne to touch up any shaky notes. Depending on the genre, you may want to run the vocal through pitch-correction software anyway, as it provides a nice presence and sheen commonly found in high-end, radio-ready productions.
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Sammy Hakim is an up-and-coming young songwriter based in New York City. In May, 2018 she graduated from Berklee College of Music with a Major in songwriting and a focus in music business. These days she spends most of her time in songwriting sessions with artists all over the country.
Since many styles of electronic music don’t include lyrics, it lends itself well to the endless development of an idea. Andrew Bayer’s “Counting the Points” is a beautiful example of this sort of repeated development of a theme or idea.
Here’s a quick video full of tips about how to reach out to venues you’ve never played at, courtesy of Soundfly’s free online course on DIY booking, management, and promotion, Touring on a Shoestring.
When you pluck a guitar string, it vibrates to and fro. You can tell how fast the string is vibrating by listening to the pitch it produces. Shorter strings vibrate faster, and make higher pitches. Longer strings vibrate slower, and make lower pitches. The scientific term for the rate at which the string vibrates is its frequency. You measure frequency in hertz (Hz), otherwise known as vibrations per second. The standard tuning pitch, A440, is the pitch you get when your guitar string vibrates to and fro 440 times per second.
These classic music videos feature thought-provoking concepts and communicate the message of their song perfectly, in ways that we can borrow ourselves.