Funnily enough, the biggest breakthrough came with our approach. We are dealing with music here, not 1s and 0s, so we made the early decision to not trust the data. We engineered the user experience and worked our way back to the data. When we were faced with a problem, we looked at music theory . . .
I split the MIDI wherever I felt an intuitive phrase boundary and arranged my drum loops accordingly. I doubled the synths with softer and more sustained sounds in a few sections as well. + Join our email magazine, Soundfly Weekly, a weekly review of the best in music learning and inspiration, all focused on helping you learn . . .