This form is super common in classics and jazz standards. You start with a section, repeat it, move on to something else, and come back to that first idea again. Most recordings of standards like Gershwin’s “I Got Rhythm” use this form, sometimes featuring additional repetition to extend the song. Two other famous examples are “All I Have to Do Is Dream” by The Everly Brothers and “Yesterday” by The Beatles.
Yet, part of the job of a book like this is to challenge you with new, scientific information about how sound works and help you wrap your head around it in practice. And this book does that admirably, covering topics ranging from psychoacoustics, cabling and different signal types, gain staging, and new developments in digital audio production. Mastering the information here will help you make better recordings and better mixes all around and provide you with the satisfaction of a mind expanded.
Labeling tracks and keeping a detailed record of what’s happening during a recording session is crucial for saving time. Don’t do this during the initial recording process, which should flow without periodic interruptions, but rather when you’re mixing the material later on. Take a small amount of time to label each track or input before and after you record each piece. And keep handwritten notes in a notebook (or at least on a separate screen other than the one used to record).
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This is a great reminder to all of us that sometimes closing the laptop and reaching for our microphone can help our electronic productions to no end. We shouldn’t be afraid to turn those familiar sounds we get from our instruments into something unfamiliar and other-worldly, to seek new ground.
With much success in recent years, Shaw too shows no sign of resting on her laurels and continues to create groundbreaking work commissioned all over the world. Watch this space!
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Dive deep into production-related topics like Modern and Advanced Mix Techniques, Songwriting for Producers, or Making Music in Logic Pro X, or work with a Soundfly Mentor directly to achieve a musical goal specific to you!
I’m not so interested in figuring out whether the track is “good” or “bad.” Instead, I want to find out, given the student’s goal, how they could move closer to it.
All of our mentored online courses come with six weeks of one-on-one professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in a topic covered by one of our courses, like Orchestration for Strings, Introduction to the Composer’s Craft, or The Creative Power of Advanced Harmony, or just to work with a Mentor directly to achieve a specific goal, we can help you get there.
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Terrestrial radio can be a powerful medium for promoting your new release. Here are four steps to using your efforts wisely and achieving great air time!
Yet the question of commerce is also a factor, and Wu-Tang’s refusal to sell more than a single copy of the album bears a much stronger resemblance to the practices of creative commissioning and artistic production of the Renaissance. No distribution.
Like the tonality, the tempo here is also slippery. I’m calling it 119, and not 59 BPM. Usually the snare on the 2 and 4 is the king that decides meter in pop and rock, so it’d be 59 BPM. However, the lyrics are delivered so quick that I just gotta go with the more double-time feel. It’s right in the BPM sweet spot where either tempo label works. Last, we have some creative treatments of the choruses. The first chorus is really a half-chorus with an added measure (very cool!), and then it’s a regular chorus when it comes back around. And then when it finally comes back around at the end, you gotta call it “C2” (chorus variation) because of how it’s modified to act as the song’s outro.
SESAC is a much different PRO than BMI and ASCAP in that it is a private, for-profit organization, that runs an invite-only membership system. As a private company, it does not disclose it’s annual distribution total.
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