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“For the Romantics, a great piece of art was a psychological sucker punch, knocking loose some terrifying unconfronted truth. The technical grandeur of Bach’s Chaconne (and his newfound role as Großvater of German music) had given it Himalayan stature — immovable, ancient, a platform from which to survey the universe.

Every week, whether on your phone call or in a subsequent email, you should expect in-depth feedback on the activities you’ve done to help guide you in the right direction and closer to your goal.

Are you writing for millennials? A lot of millennials went through their rebellious phases when emo music was at its peak. With their brains changing and their hormones raging, the simple chord progressions and major tonalities of emo and pop punk have most likely been stamped into their subconscious as instant bookmarks of this phase of their life. Re-orchestrating a progression like vi-IV-I-V for non-guitar instruments will surely bring this audience back in subtle, emotive ways.

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Cardioid polar patterns are typically best for recording single voices as they offer the most noise rejection. Bi-polar, or bi-directional, pickup patterns are great for recording interviews as they capture sound from the front and back of the microphone. Omnidirectional pickup patterns capture sound from all directions, which is great for recording a large group of people, but it often captures a lot of ambient noise.

To get around this problem, we’ll sometimes give sections names like “A” or “B” instead of “verse” or “chorus.” Let’s look at a few structures in this vein.

Does the solitary fact that Once Upon a Time in Shaolin eschews all forms of distribution and mass-listenability effectively set it apart from its counterparts? I’m not sure the answer is yes, but I would argue that it’s at least a very good step in that direction.

A classic example is the LCD Soundsystem song “All My Friends.” The song develops extensively, without an obvious lyrical structure. There are certainly repeated melodies, various layers coming and going, and a strong lyrical narrative, but it never deviates from that repetitive piano part.

When recording acoustic guitars, most of the tone is going to come from the guitar itself, the microphone you chose, and the room you record in. You can find some great-sounding acoustic guitars for under $500 that can easily be used for recording. Pair one of these up with the right microphone and a recording space with great acoustics, and you’re good to go. [*Here are some quick tips on recording acoustic guitars if you need them!]

The ascap foundation

So let’s do it. Let’s make a tuning system out of the harmonics of the C string. First, we should find the C, G, and E whose frequencies are as close to each other as possible. We’ve already got C at 1 Hz. We can bring our G at 3 Hz down an octave by dividing its frequency in half. This gives us a G at 3/2 Hz. We can also bring our E at 5 Hz down two octaves by dividing its frequency in half twice. This gives us an E at 5/4 Hz. When you play 1 Hz, 5/4 Hz and 3/2 Hz at the same time, you get a lovely sound called a C major triad. Cool!

Jay Z sings, “I’m the modern day Picasso, baby” and makes reference to works of modern art all over his Magna Carta Holy Grail album. The album art is a photographed 16th century Italian statue from the Metropolitan Museum of Art. It’s clear that the mission here is to align himself with these groundbreaking historical art events in order to change the conversation about music’s place in contemporary notions of art and high culture.

“Call Out My Name”: Hey-hey, look, it’s another compound meter, with an ultra-slow 45 BPM tempo. By comparison, the slowest tempo we reached in last year’s Chartmania was 57 BPM — also a compound meter. The form here is why they made up the word “formulaic.” Though perhaps the absence of any tricks lays a foundation for Abel Tesfaye to take more liberties with his phrasing, starting his melodies first where you’d expect them, later well before the bar lines dictate, and then after the bar lines for a stumbling, dizzying effect. Watch out in the outro for the strong G♭ in the bass making a good argument for a G♭6 chord. Then again, it may be a first inversion E♭.

Get into the writing room with confidence and excitement next time you’re working with a total stranger on a co-writing song project with these 7 tips.

A lot of pop, hip-hop, and electronic tracks are skipping the bridge these days. You can hear this song form or something similar in the following tracks: